Plot:Winter Opera
Opera's murder, when Ira Almasy's involved...
How to Get Involved
Who?
- DMLE
- Criminals
- Unsuspecting public
Plotting Resources
- Plot Development Topics: The Winter Opera
- Wiki Page(s) on Relevant Subjects: Ira Almasy, Royal Opera House
- Tags: Winter Opera
- Primary Contact: Nuri
Characters
The Guests
- Aisling Knight
- Argyle Canterbury
- Chaz Lawrence
- Edwin Glass
- Evelyn Grimlish
- Kurby Bagnold
- Ligeia Canterbury
- Margo Amherst
- Melanthe Grumman
- Millicent Bagnold
- Minerva McGonagall
- Nightingale Kesali
- Ophelia Grimlish
- Raine Almasy
- Samuel Harcroft
- Tarron Knight
- Landis Morgan
- Rascal Rosier
- Joy Torret
- Charlotte St. James
- Andrew Neifion
- Warren Neifion
- Martin O'Doherty
- Casey O'Doherty
- Theo Whitman
- Taras Strelnikov
- Demitria Strelnikov
- Mihai Zamperia
- Sasha Schlagenweit
- Abigail Reid
- Persepolis Zephyr
The Bad
The Dead
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The Events Unfold
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- With:
- Ira Almasy
Suspicious of infidelity between his wife - Hermione - and the visiting King Polixenes of Bohemia, Leontes makes attempts to have his fellow king poisoned. This plan fails and Polixenes escapes from Sicily promptly. In his anger, Leontes chooses to imprison his pregnant wife.
Our performance differs from the play when Queen Hermione gives birth to a son rather than a daughter. The boy is suspected to be Polixenes' illegitimate son; he is given the name Perdito and sent away to live an anonymous life on the coast of Bohemia, raised by Shepherds.
The final act before intermission takes place 18 years later in the court of King Polixenes; he has been informed that his daughter - Princess Florizel - has fallen in love with a lowly shepherd boy.
The act draws to an end with the King resolving to disguise himself as a peasant and travel to the coast, where he will seek out the shepherd boy who has secured his daughter's affections. Curtain close.The theater lights still glare down at the audience, bright and golden. Those closest to the front can hear an abrupt scattering of footsteps backstage, followed by hurried exclamations. A thud. Without warning, the curtains begin to pull apart.
They peel away to reveal a fully lit stage. Several of the cast are staring up at the ceiling and turn around, pale-faced, to the audience. Some spectators laugh at this folly. "Close it!" a voice offstage yells but it is too late.
A loud crack cuts through the laughter and a row of bodies fall from above- not quite hitting the stage floor. The wide, aghast eyes of the Opera's principle performers stare back at the audience as the lynched corpses rocked by their necks like ripened fruit. Somebody screams.
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